This is a must-read for all you life-long bookworms out there, you know who you are. Since the age of 6, sat on your bed or the sofa with your nose in a book, with your mum hoovering around your feet. I have holiday pics of me aged about 8 or 9 on a Greek island, my dad waterskiing, my sister frollicking in the sea, and me sitting on a rock with my hair in a scarf, sunglasses on, a book propped open on my knees, oblivious to everything going on around me. I think if I didn't give books away every now and then (yes it's true, well there are some books I read believe it or not that I'm not keen on and thus don't want to keep), my house would look how Lucy Mangan's sounds.
On the whole, I related well to most of the books Lucy talks about reading while growing up. She's about 8 years younger than me, and surpisingly that's made a difference in her teen choice of books. She talks about Sweet Valley High, but when I was a teen I was reading a whole range of adult books from Daphne du Maurier's 'Rebecca' to Jilly Cooper's 'Riders', Nevil Shute's 'A Town Like Alice', George Eliot's 'Silas Marner'. I don't remember there being a craze for reading amongst my school contemporaries - I always felt that I was the only one reading.
Also, Lucy talks about books she loved when she was less than 5, picture books and such. I don't remember anything like that. The earliest books I remember being my absolute favourites were Milly Molly Mandy (which Lucy also talks about, which I love her for) and Mrs Pepperpot. But picture books like The Very hungry Caterpillar, or Dr Seuss - nope. But that may be because my sister and I weren't read to by our parents? I don't know, I don't like to ask them in case that was the case and I make them feel guilty.
However, Lucy's whole section from Milly Molly Mandy upto about age 12 I could totally relate to, and I just adored her descriptions of them, and why she was totally in love with them. Lucy also had a great sense of humour, and had me laughing out loud in a few places. The one downside to her writing was her extremely over-long sentences. Oh my goodness, they were so long I would lose the thread and have to start it again. Hyphens, brackets, commas - gosh, as soon as I saw one coming, I'd gloss over it and start the next sentence. Not ideal.
Apart from that, this is a lovely book to read to evoke those wonderful moments when it was just you and a book. Let the world carry on around you.
13 year old Sal and her 10 year old sister Peppa are on the run. They've had to escape a brutal past and an even more brutal end to the past. But Sal is prepared - she has all the kit for survival in the Scottish wilderness. Her backpack is filled with maps, waterproof clothing, food, penknife, fishing gear and the SAS Survival Handbook. She's watched enough YouTube survival videos to become the next Bear Grylls. But life in the woods in October is tough - it's cold and snowing. How long can they hide out before someone finds them?
When I started to read this, I wasn't sure I was going to like it, even though I loved the premise of the story. The detail of their first few days in the forest was slight overkill for me. Many of the descriptions seemed almost like word-for-word transcript out of a manual, and I skipped most of those parts. For me, it started to get interesting when Ingrid's character was introduced (even though it was a rather unbelievable coincidence that someone else was hiding out in the same forest). I loved their relationship, and the story just seemed to quickly build from there. I loved the banter between the sisters, and how Sal kept trying so hard to keep Peppa's spirits up, while trying at the same time to keep them both alive. Through her abusive past, Sal has had to quickly grow up, and she is a believable strong mother figure to her sister.
A marvelous debut novel.
Randolph is an architect, and he lives in an apartment block with his wife Rebecca, and their two children. They live a happy, normal life, until the basement tenant, Dieter Tiberius, accuses them of sexual abuse towards their children, and starts to hound the wife with poems and accusatory letters. Their life starts to fall apart. They seek legal advice, but no-one can help them - not the police, nor the landlord, nor social services. Things become so fraught and desperate, that Randolph decides to take matters into his own hands.
All his life, Randolph has grown up surrounded by guns. His father always had them in the house, and Randolph was continually afraid that his dad would use them on him or his brother in a fit of rage. But it is now that Randolph turns to his dad for help.
The story sounds frightening enough as fiction, but the book is actually semi-autobiographical. The author has based the story on something that actually happened to him in real life. The book is also about class war, the justice system, and politics in Berlin during the 70s and 80s. In fact, I'd say that more than just background information, it takes over the whole story. There is more in the book about family relationships and class wars than there is about the actual incident. It's also a shame about the cover - it looks like just another crime thriller novel, and it doesn't mention on the cover that it's based on a true story.
I quite enjoyed the story, but I got a bit bored with the political argument sections, and I also got so frustrated with the lack of help that Randolph and his family were getting in the face of such harrassment.
I blow hot and cold with novels by Julian Barnes. I just loved 'Arthur & George', but was left dulled by 'The Sense of an Ending' and 'The Noise of Time'. But I wanted to give him another chance (aren't I kind!), so tried this one. I loved it - well, most of it. The book is split into 3 parts, and I think Part 3 could have been edited much more thoroughly. There was much repetition, and I was a little bored, but not enough to put me off the book.
The story is set in the 1960s in Surrey. Paul Casey is a 19 year-old student who is told by his parents to join the local tennis club. There he meets Susan Macleod, 48, married, mother of 2 children the same age as Paul. They fall madly in love and start an affair. Part one of the book is narrated by Paul as an older man, looking back at the start of the affair, and describing their feelings, and the reactions of those around them. Part two recounts their running away and starting a new life together, but the slow breakdown of their relationship as Susan becomes depressed, turns to alcohol, and starts to lose her mind. Part three is set in the present day with Paul describing his feelings now, and whether he feels guilt about what happened to Susan.
It's such an emotional read. It shows that love can jump out at anyone at anytime, and how strongly it can affect us. But also when it goes wrong, it affects us just as strongly - we can be scarred for life. There is so much of life that Paul/Julian is commenting on, you start to question whether he is right. What is the meaning of love? There is one thing for sure though - your first love stays with you for the rest of your life.
Any new psychological thriller that comes out nowadays always seems to get labelled 'the next The Girl on the Train'. Now I haven't read that book, nor seen the film, so luckily I can't make such sweeping comments. Surely an author wants to be plauded for their work for the right reasons, not to comment on whether they live up to a different author's bestseller?
Anyway, that aside, The Woman in the Window is brilliant. I read it in a day and a half - the usual case of 'I couldn't put it down'. The plot twists and turns, there are surprises around every corner, it's dark, and to churn out another overused phrase, it kept me on the edge of my seat. Anna is a child psychologist. She lives alone in a large house, apart from a tenant who rents out her basement. She has a husband, Ed, and an 8 year-old daughter Olivia, but they live away from her, although she speaks to them everyday. Anna is suffering from PTSD (post traumatic stress disorder) which has led to acute agoraphobia. She has not left her house for ten months. To pass the time indoors she keeps herself busy: she plays online chess; is taking an online French course; she gives out advice on an online site she has set up for other sufferers of agoraphobia; she watches many film noir and Hitchock thrillers; and she drinks many bottles of red wine, often until she is in a stupor. She also likes to people watch from her windows, especially her new neighbours across the road - the Russels. But one day she witnesses a terrible act that will change her life forever.
The best psychological thriller I have read in some time.
I think at the moment I'm definitely liking stories involving characters with quirky personalities - slightly oddball, perhaps on the spectrum. I recently read 'Eleanor Oliphant is Completely Fine' by Gail Honeyman, which I absolutely loved, and then more recently 'Three Things About Elsie' by Joanna Cannon, which was also delightful. 'The Cactus' is along a similar vein, and it did not disappoint.
Susan Green likes order and logic; she does not like time-wasters, mess or emotions. She lives alone, but has a very pleasant, no-nonsense agreement with Richard, who she sees once a week for theatre, dining and ...other activities. But soon Susan's order and routine are thrown into disarray as she finds out a)she is pregnant; b)her mother has died and left the family home to her awful layabout brother Edward. Sensing something sinister is afoot, she decides to try to contest the will while at the same time going through the stages of pregnancy. All she needs to realise is that help is closer to hand than she thinks.
I loved it.
Joanna Cannon's previous (and debut) novel was 'The Trouble with Goats and Sheep' which I absolutely loved, so I was looking forward to reading this next book.
Florence (Flo only to her friends) resides in the Cherry Tree retirement complex. She lives alone in a ground floor flat, but she's never lonely as she has her best friend Elsie to keep her company. Elsie also helps Flo through her moments of forgetfulness and confusion. They team up with fellow resident Jack when Flo realises that a new resident is someone from the past she'd thought she'd never see again. With the manager of Cherry Tree threatening to move Flo to 'Greenbanks' - a more suitable home for her needs - Flo and her two friends have a race against time to solve the mystery of the new resident before Flo may be forced to leave.
This quirky second book does not disappoint. It has Joanna's same style of humour mixed with pathos with an underlying serious storyline. All the characters are realistic and rather adorable. But it's also very moving, knowing that most of us will end up being a Florence, frustrated at realising that we're slowly losing our faculties, and there is only one ending for us all.
A delight to read.
