by Nina Stibbe
There was this lady who used to come into our bookshop in Truro with her children. She normally had a massive rucksack with her and never wanted a bag, sometimes we'd see them all with cycling helmets and waterproof jackets. She was a friend of one of my colleagues. She was very chatty, very funny, you got the feeling she was probably a little scatty, she loved books (she told me she used to work in publishing). She had huge eyes and a Roman nose. Then I stopped seeing her in the shop. Then about a month ago, I read about this book being published which was a series of letters from a young lady working as a nanny in London to her sister. It had a good review, so I requested a copy. Blow me down with a feather, if the young lady on the front cover didn't bear a very close resemblance to the aforementioned customer (I never found out her name before this). Of course, it turns out she is the one and same.My colleagues had said this is a good book to dip in and out of, but I had to read it all. It was very funny. When she was 20, Nina worked as live-in nanny to Sam (10) and Will Frears (9), sons of Mary-Kay Wilmers, editor of the London Review of Books, and Stephen Frears, director of films such as The Queen and High Fidelity. They all lived in a large house in a very literary part of London. Alan Bennett lived next door, Claire Tomalin just round the corner, Jonathan Miller up the road. But Nina was never fazed by any of this, indeed you get the impression that she didn't know who any of these people were at the time. Alan often pops over for dinner (food is mentioned in nearly every letter - Nina seemed to do most of the cooking, some a success, some not) and the conversations they have over dinner are hilarious. They all get on brilliantly, especially Nina with Sam and Will. She often mentions Sam's 'illness' and trouble with his eyes, and having to take him to Great Ormond Street Hospital. We never find out what is actually wrong with him. On researching, I found that Sam actually suffers from a rare condition called Riley-Day Syndrome - he wasn't expected to live beyond the age of 5. The condition affects the nervous system. He is going blind and cannot feel pain. But when he was 10 in this book, you wouldn't have noticed anything different, from the way the family and Nina are with him. The boys are very mature for their age, and their sense of humour is hilarious. Swearing appeared to be allowed by all in the household - funny and shocking at the same time.
All the letters are one-sided, from Nina to her sister Victoria. Nina openly admits that she never kept any of her sister's replies, not for any other reason other than not wanting to keep more paper than necessary in the house and having a good clearout.
She talks about becoming a mature student and studying English Literature at Thames Poly, and a little about her boyfriend Nunny. You feel that perhaps it's not a serious relationship, they hardly seem to see each other, and Nunny sounds like he's having fun with other girls when he's away. You feel the relationship is doomed. You get to find out in the Afterword at the end what happened between them.
There's possibly more letters coming in the future, and even a novel by Nina. Watch this space.
