Milo's dad has run off with his secretary to Abu Dhabi, leaving Milo's distraught and heartbroken mum, Sandy, to cope with looking after Milo, Milo's pet pig Hamlet, and Milo's great grandma Lou. Milo has a sight problem - he suffers from retinitis pigmentosa, which means he has only pinhole vision, a condition which only gets worse and results in blindness. Lou is starting to suffer from dementia, and creates an incident at home which results in her being put into a nursing home. However, even though Milo is the one with the vision problem, he seems to see clearer than the adults around him when it comes to things happening right in front of their eyes. The nursing home is not as nice a place as the manager portrays, and Milo sets out to prove she is mistreating the residents. But no-one wants to listen to a young boy with a pig when they have problems of their own.
This is quite a sweet story, but for me it was overlong (I was skimreading large parts), and slightly confusing in places. The topics covered are rather current - dementia, the war in Syria, refugees, the lottery of choosing a nice care home, couples separated, depression, even mail order brides! I think my favourite character is Mr Overland, the man who watches everything from his bedroom window, whistling continuously. I guess that's because I'm a bit of a nosey parker myself! Milo himself is a strong boy who loves his great-gran very much, and is determined for his voice to be heard.
Contains some swearing.
Sophie Kinsella is well-known for her adult 'Shopaholic' series, but here she delves into the young adult arena - and, I think, is very successful!
Audrey has been the victim of serious bullying at her last school, as a result of which 3 girls were expelled, and Audrey now suffers from severe depression and an anxiety disorder. She no longer goes to school, she cannot leave the house (only to visit her therapist, Dr Sarah), and she constantly wears sunglasses, as she is unable to make eye contact with anyone, not even her parents.
As part of her therapy, Dr Sarah suggests Audrey films her family life, starting with her own family first, and then to film any strangers who come to the house. Audrey has 2 brothers - Frank, who's older, and Felix, who's younger. Frank is obsessed with a computer game called 'Land of Conquerors', and he plays it with his friend, Linus. Audrey likes Linus, but it's hard for her to try to talk to him, or even be near him at first, due to her stress and anxiety problems. But she soon realises that Linus understands her and her problems, and that he doesn't think she's a weirdo for wearing dark glasses indoors, and that he knows he has to take things slowly with her. One step at a time, he helps her venture into the world, encourages her to approach strangers and talk to them, and Audrey starts to improve hugely - until she goes one step too far, and it seems all the hard work may have been lost.
Even though the book has the serious story of depression and acute anxiety (which is explained really well, and dealt with brilliantly), it is also immensely funny. I think most mums of teenagers will be able to relate very well with Audrey's mum. She is totally fixated with how much time Frank is spending on his computer, she tries banning him, forcing him to watch a Dickens film instead, making him spend time 'jamming' with his dad on the guitars, helping out making sandwiches for the local fete. All, of course, at Frank's horror and embarrassment. But Frank always finds a way back to the computer - until his mum throws it out the window.
The book is full of hilarious moments, mostly concerning mum getting exasperated with Frank, but also touching scenes with Audrey struggling with her illness, and desperately wanting to be have a 'normal' life.
If you like this, you should try 'We Are All Made Of Molecules' by Susin Nielsen.
I'll heartily recommend this to anyone over the age of 13/14. It's funny, it's very life-like, it's awkward, it's horrid, it's shocking, it's sad - it's just about everything you want in a teen book.
Stewart is 13, super gifted and intelligent, but slightly socially awkward. He lives with his mum and dad, until his mum dies of cancer and leaves Stewart and his dad devastated, sad and alone.
Ashley is 14, beautiful, popular at school, but slightly dim and not the nicest person in the world (an understatement). She also lives happily with her mum and dad, until her dad leaves them - for another man. Ashley is so ashamed and embarrassed she barely speaks to him any more - even though he lives in the converted shed at the bottom of their garden.
Stewart's dad and Ashley's mum work together. Romance blossoms and they end up living together - much to Ashley's horror. She has no intention on being nice to either of them, especially 'Spewart', and is completely mortified when he transfers to her school, and into her class.
This is a story of love, hate, prejudice, but above all, compromise and forgiveness.
There is an upsetting scene of an adult nature involving a teen girl and teen boy, which is why I wouldn't recommend this to anyone under 14.
This book grew on me the more I read it, and by the second day of reading I just couldn't put it down. It's about love - just like the title says, but it's more than just boy meeting girl, it's about love of film, love of family, love of friends.
Sixteen year old Luke has just started a Film Studies course at college. We know something's not right with his life from the start - he's paranoid about people staring, he doesn't talk very much, he's withdrawn, he has another voice talking in his head to him. Then he meets Leia, who's on the course with him, and they immediately click. They both love films, they're both named after characters in Star Wars, they both think the same things at the same time. They pair up in class to work together on a film script, and they both seem to be telling each other their life stories. Luke knows there's something between them, but it's not a full-on passionate love affair, it's a tentative 'getting to know someone better'. It's chaste and it's beautiful.
Then we learn more about Luke's brother, Marc, who's just about to come out of prison. He's been in for 2 years for serious assault, and life has been strange without him. How will it be when he comes home? Why does Luke has a scar on his face? Who is Craig Miller, and why is everyone scared of him?
The film thread is kept going throughout the book. We read screenplay scene descriptions (eg, 'INT car, dark, fingers drumming on wheel), the book cover itself looks like a manuscript, the characters play film games in the book (eg, Brad Pitt to Robert de Niro in 2 moves). It's all very clever, and it all adds to the atmosphere. Is everyone's life a film? Are we all characters in someone's manuscript?
A brilliant book about love, family and revenge.
Some of the characters from the book (Luke, Zia and Tommy) are in a stage play written by Steven called 'Back Down', and is currently touring the UK.
Steven Camden is also author of another teen book 'Tape'.
Wow, this just raced along! I loved it! Great descriptions, great characters, great story. I loved the fact it was set in the Edwardian era, its fashions, its architecture - yes, I loved it all!
The story itself is set in the newly opened department store in London - Sinclair's. I'm sure if I'd been watching 'Mr Selfridge' on television, I would've been comparing the two shops, but that series passed me by, so I was fresh to the Edwardian shopping experience! An expensive bejewelled clockwork sparrow has been stolen along with many other costly items from the jewellery department. Unfortunately, shop assistant Sophie has found herself in the wrong place at the wrong time and is under suspicion for the theft. It will take a lot of hard detective work from her new-found friends to figure out the real culprits (and there are many sinister and suspicious characters to choose from) and to prove Sophie's innocence.
I very much look forward to more in the series!
If you loved Robin Stevens' Wells & Wong schoolgirl detective series, then this is for you.
This is such an original story, and one which took me through several phases. At first, I thought it was just full of nastiness - all the characters (main character Iris, her mother Hannah, and mother's boyfriend Lowell) seemed to be full of hatred for each other. How can a mother show no sign of love at all for her daughter, even if Iris has her problems? Iris's way of coping with her home situation is by lighting fires - not just a small, outdoor, dry leaf pile sort of fire, but more of a burn your mother's wardrobe down fire, and let's start a fire in a store room at school sort of fire. The sort where people's lives are at risk, but there is no thought of that - the fire, the smell, the sound, the danger are all too attractive and addictive.
Iris at first finds help in friend Thurston, even though he doesn't really seem the ideal person. He seems a bit of a misfit, a loner, the sort of person you'd imagine wouldn't have many friends at school.
Then Hannah finds out that Iris's dad, Ernest, is gravely ill and dying. She also knows that he is incredibly rich - he owns many priceless works of art. She whisks Iris and Lowell off to visit Ernest. Iris remembers nothing of her father. Hannah has told her that he abandoned them when she was small, and was nothing but a bad father.
This part of the book set in Ernest's house was my favourite. We discover more about Ernest himself, about his love of art (one of Iris's favourite topics also), about his past, about why he was not there for Iris when she was little. Lies are uncovered, people humiliated and shamed, lost friends reunited, a true family revealed.
The title, Fire Colour One, refers to the title of a famous painting by Yves Klein, made in 1962. Yves created the piece by using nude models as the 'brushes' and then firing a hose of blazing fire at the canvas, putting everyone's lives at risk. In the last decade it sold at auction in New York for $36.4 million.
The scene in the book depicting Ernest's death and Iris's emotions surrounding the death are particularly moving, especially when you know that Jenny Valentine herself recently lost her father after a grave illness (which she too suffered, but recovered from). A touching and poignant end to a brave, original story.
Mikey and his friends are just about to graduate from high school. It's their final couple of weeks before the summer holidays and then they're off on their separate ways to university. But there are a few problems :
1) Mikey has OCD - it's so bad he thinks the loop won't break and he'll die;
2) His older sister Mel has an eating disorder and needs constant monitoring;
3) His dad is an alcoholic;
4) His mum is running for Congress and everyone has to appear normal;
5) He loves Henna, but hasn't told her, but Henna loves new boy Nathan, who seems very suspicious;
6) His best friend Jared is part God of feline animals;
7) The town they live in is about to be taken over by Immortals - they come in the guise of police officers with blue rays coming out of their eyes. But it's OK, the indie kids are around to save the day;
8) The indie kids are being killed off one by one;
9) There are zombie deer.
I know, sounds weird. It definitely seems that way when you start reading it, but strangely the main theme of teens struggling with emotions, exams, anxieties, sexual preferences, whether someone's your friend or not, whether someone fancies you or not, parents - all the usual teen angst stuff - makes the story seem more normal than it actually is. Many of you will spot throw-ins from other top-selling kids' novels - vampires (check), Greek Gods (check), cancer victims (check), zombies (check). I loved all the characters, and I think many teens will find something from each of them to identify with. I did spend rather a large amount of time wondering whether there was an underlying meaning to the Immortals and the indie kids. Were the Immortals just authority figures trying to run the kids' lives? Were the indie kids just synonymous with people being different and that it was ok to be different, that they matter too and are just as important as everyone else, in fact they can be the heroes? However in the end, I just enjoyed it for what it is - something a little bit different and a little bit wonderful by one of my favourite authors.
Milo's dad has run off with his secretary to Abu Dhabi, leaving Milo's distraught and heartbroken mum, Sandy, to cope with looking after Milo, Milo's pet pig Hamlet, and Milo's great grandma Lou. Milo has a sight problem - he suffers from retinitis pigmentosa, which means he has only pinhole vision, a condition which only gets worse and results in blindness. Lou is starting to suffer from dementia, and creates an incident at home which results in her being put into a nursing home. However, even though Milo is the one with the vision problem, he seems to see clearer than the adults around him when it comes to things happening right in front of their eyes. The nursing home is not as nice a place as the manager portrays, and Milo sets out to prove she is mistreating the residents. But no-one wants to listen to a young boy with a pig when they have problems of their own.
